Magic Bullet Looks, Magic Bullet Editors Edition, Magic Bullet SuiteĪnd then there was Colorista, Colorista II (which I did a training series on), DeNoiser and DeNoiser II. I think I’ve owned almost every version, revision, and rebranding of the original Magic Bullet – designed to emulate the ’24p Look’ with interlaced source footage (it was ALL the rage in the early 2000s). They only got installed when I needed them.Ī perfect example is my favorite of all the plug-in families… If a plug-in shaved 20 minutes off some repetitive task – it was mine.Īnd all those installers I collected? Those were saved off on several external hard drives for extra safety (since each installer represents a monetary investment I don’t want to lose with the next hard drive crash).īut there was one big problem that blossomed into a serious headache… The problem is keeping all those plug-ins up-to-date!Īfter a few years, reinstalling plug-ins (after OS reinstalls) wasn’t the problem… it was going around, collecting all the updaters that became the true headache. If a plug-in gave me a fresh new Look – it was mine. If a plug-in solved a workflow problem I was having – it was mine. Especially back in my days as an editor, I collected plug-ins like Jay Leno collects cars. Have you ever lost track of your plug-ins? You can try Particular for yourself by downloading a trial, purchasing it as a standalone for $399, or as part of the Trapcode Suite for $899.Tutorials / Red Giant Software / Red Giant Software – Getting Started Series As a user of the plugin myself, it has helped me create many great mograph assets on a variety of projects, and still continues to be a plugin I go to when the situation calls for it. He then shows us finishing techniques to give it a cinematic look.Īs you can see from these tutorials, Trapcode Particular is not only a versatile plugin, but an industry standard plugin for many of the motion graphics and visual effects you’ve seen over the past few years. Harry also shows us other parameters within Particular, such as Opacity over Life and Aux System, which help define the look of the particles. Utilizing techniques such as motion tracking, 3D lights, null objects, and Particular, you can have your music turning into light in no time. Renowned motion graphics tutorial author Harry Frank shows us how to create this effect for our videos. In an effect shown in the NBC series Heroes, one of the characters was able to visualize sound in passing light streams. Dino shares some great tips preparing your scene, as well as sculpting the water to look exactly as you want it. Manipulating parameters in the Emitter, Particle, and Shading settings, you can generate water particles that can control and animate with other objects. VFX artist Dino Muhic shows us how to create water around a watermelon using Particular. If you are looking to generate water without using practical effects, then this a tutorial to watch. The After Effect lights and 3D null objects are very instrumental in generating source points and paths for Particular to send particles across the screen. You can get the result in the beginning of the video using this technique. VinhSon utilizes the After Effects camera, 3D lights, and null objects to guide the particles along with Knoll Light Factory and his Instafilm script to add finishing touches. In this tutorial, author and motion graphics artist VinhSon Nguyen shows you how to create a galaxy nebula using Particular. ![]() He also shows us how well Particular and Element 3D from VideoCoPilot work together. Michael shows us techniques for using the AutoTrace feature for logos, as well changing After Effects bit color depth from 8 to 32 for a high dynamic range of colors. In this tutorial, motion graphics artist Michael Park shows you how to create a procedural fire effect for your logo, similar to the Hunger Games: Catching Fire title sequence. I’m going to share some tutorials I’ve come across that showcase the depth that Particular has to offer. The in depth parameters and interaction with After Effects 3D camera easily enhances many compositions across the board. With the plugin, artists have created incredible effects ranging from light streaks, bokeh patterns, smoke, fire, and much more. Trapcode Particular, the 3D particle system created by Peder Norrby and sold under the Red Giant banner, is by far one of the most popular After Effects plugins ever created.
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